<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-33437283</id><updated>2011-07-14T21:34:13.265Z</updated><category term='poetry'/><category term='video'/><category term='links'/><title type='text'>blogolepsy</title><subtitle type='html'>A blog about our obsession with words</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>23</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-33437283.post-7618463473333023642</id><published>2007-06-21T22:32:00.000Z</published><updated>2007-06-21T22:33:13.905Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='video'/><category scheme='http://www.blogger.com/atom/ns#' term='poetry'/><category scheme='http://www.blogger.com/atom/ns#' term='links'/><title type='text'>Billy Collins</title><content type='html'>&lt;s&gt;After valiant efforts and many conversation with his agent, we have Billy Collins making a guest appearance on this blog, reading his poetry.&lt;/s&gt; Found these on YouTube. Enjoy.&lt;br /&gt;&lt;br /&gt;"Noted for their intelligent humor, accessibility and observations on daily life, Collins' popular poems come alive further in a series of animated poems produced by &lt;a href="http://www.youtube.com/user/JWTNY"&gt;JWT-NY&lt;/a&gt;."&lt;br /&gt;&lt;br /&gt;The Best Cigarette&lt;br /&gt;(This one's the pick of the bunch, IMO. Watch this even if you don't have time for the others.)&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/kbRifIzMth0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/kbRifIzMth0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/kbRifIzMth0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/kbRifIzMth0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/kbRifIzMth0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/kbRifIzMth0"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/kbRifIzMth0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Dead&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/iuTNdHadwbk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/iuTNdHadwbk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/iuTNdHadwbk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/iuTNdHadwbk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/iuTNdHadwbk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/iuTNdHadwbk"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/iuTNdHadwbk" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Walking Across the Atlantic&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/ADCIXAjxe0M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/ADCIXAjxe0M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/ADCIXAjxe0M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/ADCIXAjxe0M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/ADCIXAjxe0M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ADCIXAjxe0M"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/ADCIXAjxe0M" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Some Days&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/yaBeaQHdrGo" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/yaBeaQHdrGo" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/yaBeaQHdrGo" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/yaBeaQHdrGo" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/yaBeaQHdrGo" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/yaBeaQHdrGo"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/yaBeaQHdrGo" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Now and Then&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/k0xiWuwGq8M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/k0xiWuwGq8M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/k0xiWuwGq8M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/k0xiWuwGq8M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/k0xiWuwGq8M" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/k0xiWuwGq8M"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/k0xiWuwGq8M" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hunger&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/n_ATQ_hliKk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/n_ATQ_hliKk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/n_ATQ_hliKk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/n_ATQ_hliKk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/n_ATQ_hliKk" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/n_ATQ_hliKk"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/n_ATQ_hliKk" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Budapest&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/Vgnec1r9YuU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/Vgnec1r9YuU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/Vgnec1r9YuU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/Vgnec1r9YuU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/Vgnec1r9YuU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Vgnec1r9YuU"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/Vgnec1r9YuU" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Forgetfulness&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/wrEPJh14mcU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/wrEPJh14mcU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/wrEPJh14mcU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/wrEPJh14mcU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/wrEPJh14mcU" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/wrEPJh14mcU"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/wrEPJh14mcU" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;Three more, by &lt;a href="http://www.youtube.com/user/ComedyFilm"&gt;ComedyFilm&lt;/a&gt;, who, unfortunately, does not allow embedding. These aren't animations. Just slide shows and some background sounds.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=i4CHyrJpKns"&gt;A History of Weather&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=6acaYMFtEaw"&gt;Shoveling Snow with the Buddha&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=QJsIpAvl0q8"&gt;Saturday Morning&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Two more from &lt;a href="http://www.youtube.com/user/Acumensch"&gt;Acumensch&lt;/a&gt;, who, unfortunately, et cetera.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=RJjOKVxNdaM"&gt;Man in Space&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=B0yn7nS_wuc"&gt;Sweet Talk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And Collins introduces the Best American Poetry event at the New School 9/21/06 and mentions the controversy surrounding the publication. (Very fuzzy video shot by someone in the audience who wasn't in a good seat. But the audio's clear.)&lt;br /&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/i3BBK3oyZc0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/i3BBK3oyZc0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;a class="abp-objtab" href="http://www.youtube.com/v/i3BBK3oyZc0" style="padding-left: 0px;"&gt;&lt;/a&gt;&lt;object height="350" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/i3BBK3oyZc0"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.youtube.com/v/i3BBK3oyZc0" type="application/x-shockwave-flash" wmode="transparent" height="350" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;br /&gt;And since we're ODing on Collins, here are some more links from emails that, erm, may have, um, been sent to you, in a manner of speaking, by me.&lt;br /&gt;&lt;br /&gt;See &lt;a href="http://www.bestcigarette.us/"&gt;The Best Cigarette&lt;/a&gt; where &lt;blockquote&gt;All 33 tracks are available for FREE DOWNLOAD.&lt;br /&gt;&lt;a href="http://www.archive.org/details/BillyCollinsTheBestCigarette"&gt;Internet Archive&lt;/a&gt;.(whole album or track by track)&lt;br /&gt;&lt;a href="http://music.download.com/billycollins"&gt;Download.com&lt;/a&gt;. (song by song)&lt;br /&gt;&lt;br /&gt;You can download, share these, burn these, give these for non-commerical puposes (you can't make money off it). For the full details read the creative commons non-commerical use license &lt;a href="http://www.bestcigarette.us/2004/09/a%20href=%22http://creativecommons.org/licenses/by-nc-nd/2.5/"&gt;here&lt;/a&gt;.&lt;/blockquote&gt;More:&lt;br /&gt;&lt;br /&gt;On Minstrels:&lt;br /&gt;&lt;a href="http://www.cs.rice.edu/%7Essiyer/minstrels/poems/1397.html"&gt;Introduction to Poetry&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cs.rice.edu/%7Essiyer/minstrels/poems/1216.html"&gt;Sonnet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cs.rice.edu/%7Essiyer/minstrels/poems/691.html"&gt;Reading an Anthology of Chinese Poems of the Sung Dynasty, I Pause To Admire the Length and Clarity of Their Titles&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cs.rice.edu/%7Essiyer/minstrels/poems/1130.html"&gt;Marginalia&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cs.rice.edu/%7Essiyer/minstrels/poems/1095.html"&gt;Litany&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cs.rice.edu/%7Essiyer/minstrels/poems/1139.html"&gt;Taking Off Emily Dickinson's Clothes&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cs.rice.edu/%7Essiyer/minstrels/poems/1096.html"&gt;On Turning Ten&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And a bunch of links shamelessly lifted from &lt;a href="http://www.bigsnap.com/linklibrary.html#poembypoem"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.npr.org/programs/atc/990908.collins.html"&gt;Another Reason I don't Keep a Gun in the House&lt;/a&gt; (Also &lt;a href="http://www.npr.org/programs/atc/990908.collins.html"&gt;here&lt;/a&gt;)&lt;br /&gt;&lt;a href="http://www.champignon.net/Magma/MAGMA14/Collins.html"&gt;Ave Atque Vale&lt;/a&gt;&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/childev.html"&gt;Child                    Development&lt;/a&gt; (Also &lt;a href="http://home.earthlink.net/%7Esoliloquy/childev.html"&gt;here&lt;/a&gt;)&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/dead.html"&gt;The Dead&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.poems.com/dear_lo.htm"&gt;Dear Reader&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.poems.com/dear_lo.htm"&gt;The Guest&lt;/a&gt; (From the very rare, out of print, "Video Poems")&lt;br /&gt;&lt;a href="http://www.poems.com/hangover.htm"&gt;Hangover Procedure #12: Emptying The Jacket Pockets&lt;/a&gt; (Also from "Video Poems")&lt;br /&gt;&lt;a href="http://www.poems.com/history.htm"&gt;The History Teacher&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cortlandreview.com/issue/7/collinsb7.htm"&gt;I Ask You&lt;/a&gt; (Audio available)&lt;br /&gt;&lt;a href="http://www.poems.com/igobacol.htm"&gt;I go back to the house for a book&lt;/a&gt; (Also &lt;a href="http://home.earthlink.net/%7Esoliloquy/book.html"&gt;here&lt;/a&gt;)&lt;br /&gt;&lt;a href="http://www.poems.com/intro_lo.htm"&gt;Introduction to Poetry&lt;/a&gt; (Also &lt;a href="http://home.earthlink.net/%7Esoliloquy/book.html"&gt;here&lt;/a&gt; and &lt;a href="http://mbhs.bergtraum.k12.ny.us/cybereng/poetry/apple.html"&gt;here&lt;/a&gt;)&lt;br /&gt;&lt;a href="http://www.theatlantic.com/unbound/poetry/antholog/collins/invent.htm"&gt;Invention&lt;/a&gt; (Audio available)&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/japan.html"&gt;Japan&lt;/a&gt; (Also &lt;a href="http://home.earthlink.net/%7Esoliloquy/japan.html"&gt;here&lt;/a&gt;)&lt;br /&gt;&lt;a href="http://www.doubletakemagazine.org/issues/09/poetry/collins.html"&gt;Jazz                    and Nature&lt;/a&gt;&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/lines.html"&gt;Lines Lost Among Trees&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.theatlantic.com/unbound/poetry/antholog/collins/disc.htm"&gt;Man                    Listening to Disc&lt;/a&gt; (Audio available)&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/margin.html"&gt;Marginalia&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cortlandreview.com/issue/7/collinsb7.htm"&gt;Neither Snow&lt;/a&gt; (Audio available)&lt;br /&gt;&lt;a href="http://www.bigsnap.com/p-ad-02.html"&gt;On Turning Ten&lt;/a&gt; (Also &lt;a href="http://home.earthlink.net/%7Esoliloquy/ten.html"&gt;here&lt;/a&gt;)&lt;br /&gt;&lt;a href="http://www.poems.com/pariscol.htm"&gt;Paris&lt;/a&gt;&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/putcat.html"&gt;Putting Down the Cat&lt;/a&gt;&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/question.html"&gt;Questions about Angels&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.poems.com/sonnecol.htm"&gt;Sonnet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.kapakahi.com/buddha.html"&gt;Shoveling Snow With Buddha&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.poetrymagazine.org/featured_poet_060199.html"&gt;Reading                    an Anthology of Chinese Poems of the Sung Dynasty, I Pause To Admire the Length and Clarity of Their Titles&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.poetrymagazine.org/featured_poet_010199.html"&gt;Study in Orange and White&lt;/a&gt;&lt;br /&gt;&lt;a href="http://home.earthlink.net/%7Esoliloquy/thesaur.html"&gt;Thesaurus&lt;/a&gt;                 &lt;br /&gt;&lt;a href="http://www.poems.com/threecol.htm"&gt;Three Wishes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For Collins reading &lt;em&gt;Nightclub&lt;/em&gt;, go &lt;a href="http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=6478"&gt;here&lt;/a&gt; and click on "Recordings" just below his photograph.&lt;br /&gt;&lt;br /&gt;Phew.&lt;br /&gt;&lt;br /&gt;(&lt;a href="http://zigzackly.blogspot.com/2007/06/billy-collins.html"&gt;Cross-posted&lt;/a&gt;)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-7618463473333023642?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/7618463473333023642/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=7618463473333023642' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/7618463473333023642'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/7618463473333023642'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2007/06/billy-collins.html' title='Billy Collins'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116995790186021107</id><published>2007-01-28T04:15:00.000Z</published><updated>2007-01-28T04:18:21.873Z</updated><title type='text'>Adding insult to insurance</title><content type='html'>&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-style: italic;"&gt;"Where’s&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;           the wish to be surrounded by poems,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;           the great sustaining luxuries and dangers&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;           of poems, or to make one’s life itself&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;           a poem, unpredictable, meaning&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;           many things, a door into the other world&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;           through which even a child might walk?"&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Over at  the &lt;a href="https://biz.gettysburg.edu/gettysburg_review/crnt_iss.html"&gt;Gettysburg Review&lt;/a&gt;, this &lt;a href="http://public.gettysburg.edu/academics/gettysburg_review/jbrehm.htm"&gt;lovely poem by John Brehm&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116995790186021107?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116995790186021107/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116995790186021107' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116995790186021107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116995790186021107'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2007/01/adding-insult-to-insurance.html' title='Adding insult to insurance'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116571956036237515</id><published>2006-12-10T02:50:00.000Z</published><updated>2006-12-10T02:59:20.373Z</updated><title type='text'>David Robert Hayward Stenton Jones</title><content type='html'>&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-style: italic;"&gt;These fragments has he shored against his gender, so. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;His name was David Robert  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Hayward Stenton Jones.  Not David Jones, too close to Davey &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;of the pre-fab four.  He'd change it first to Tom Jones, then again  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;and then again.  But this year he was Ziggy, &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;this year he played guitar.  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;That's him on the left.  The man who'd fall to earth&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;There's a new magazine on the block - named &lt;a href="http://absentmag.org/"&gt;Absent&lt;/a&gt; - and its first issue features this incredible&lt;a href="http://absentmag.org/issue01/archambeau.html"&gt; poem by Robert Archambeau&lt;/a&gt;. A must read - especially if the words 'Hammersmith Odeon' mean something to you.&lt;br /&gt;&lt;br /&gt;Another extract (I can't resist):&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;So New York and yet he's called "L.A." &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;when he fronts the Eldorados at a dance.  He'd been a Jade,  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;be mother nature's son, but been a Jade who sang &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;a doo-wop plaintive "Leave Her for Me."  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;And she was Lisa and she'd say.  And she was Stephanie &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;who'd also say.  And she was Jane and Candy too,   &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;or she would be.  But he was Delmore Schwartz's &lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;best student, gone to smack and speed and hell,  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;and he'd come back.&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116571956036237515?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116571956036237515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116571956036237515' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116571956036237515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116571956036237515'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/12/david-robert-hayward-stenton-jones.html' title='David Robert Hayward Stenton Jones'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116511598805201841</id><published>2006-12-03T03:18:00.000Z</published><updated>2006-12-03T03:19:48.060Z</updated><title type='text'>Pico, Pico, Pico</title><content type='html'>&lt;a href="http://www.worldhum.com/qanda/item/pico_iyer_travel_writing_20061104/"&gt;Pico Iyer: On Travel and Travel Writing&lt;/a&gt;&lt;blockquote&gt;Two decades after boarding a plane for the trip that would yield "Video Night in Kathmandu," Pico Iyer talks to Matthew Davis about fact and fiction, books he wishes he hadn't written and his humble beginnings as a travel writer.&lt;/blockquote&gt;&lt;a href="http://www.worldhum.com/qanda/item/pico_iyer_travel_writing_20061104/"&gt;[more]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.laurieking.com/news/archives/001058.html"&gt;Pico Iyer on Travel Writing&lt;/a&gt;&lt;blockquote&gt;A while back I was in Larry Habegger's Master Class for Travel Writers, and Pico Iyer came to talk with us about travel writing. I recorded the conversation, and am publishing a small part of it here, with Larry's and Pico's permission. &lt;a href="http://www.laurieking.com/news/archives/001058.html"&gt;&lt;/blockquote&gt;[more]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;  &lt;br /&gt;&lt;a href="http://www.prospect-magazine.co.uk/article_details.php?id=4639"&gt;The Nowhere Man&lt;/a&gt;&lt;blockquote&gt;The transcontinental tribe of wanderers is growing, global souls for whom home is everywhere and nowhere. Pico Iyer, one of the privileged homeless, considers the new kind of person being created by a new kind of life.&lt;/blockquote&gt;&lt;a href="http://www.prospect-magazine.co.uk/article_details.php?id=4639"&gt;[more]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;[&lt;a href="http://zigzackly.blogspot.com/2006/12/pico-pico-pico.html"&gt;Cross-posted&lt;/a&gt;]&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116511598805201841?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116511598805201841/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116511598805201841' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116511598805201841'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116511598805201841'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/12/pico-pico-pico.html' title='Pico, Pico, Pico'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116408831497453450</id><published>2006-11-21T05:48:00.000Z</published><updated>2006-11-21T05:51:54.983Z</updated><title type='text'>The play's the thing</title><content type='html'>&lt;span style="font-style: italic;"&gt;&lt;blockquote&gt;In later years we would see great actors play Hamlet. We saw Hamlets who stripped and flagellated themselves, Hamlets who groped Horatio, Hamlets who had epileptic fits. Not one of them was a patch on a gangling Australian boy who did nothing but say the words as simply and as thoughtfully as he could. &lt;/blockquote&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://blogs.guardian.co.uk/theatre/2006/11/s.html"&gt;Germaine Greer over at the Guardian Unlimited Arts Blog&lt;/a&gt; on the importance of letting Shakespeare speak for himself. I agree. Why try to interpret perfection?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116408831497453450?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116408831497453450/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116408831497453450' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116408831497453450'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116408831497453450'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/11/plays-thing.html' title='The play&apos;s the thing'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116346291116181289</id><published>2006-11-14T00:02:00.000Z</published><updated>2006-11-14T00:14:02.590Z</updated><title type='text'>The Novel, 2.0  - What is the role of fiction in the age of the Internet?</title><content type='html'>Slate got novelists Walter Kirn and Gary Shteyngart to exchange some mail.&lt;br /&gt;&lt;br /&gt;Walter Kirn&lt;blockquote&gt;My point being this: I'm thrown by this new world, both as a novelist and as a person. These two confusions are one confusion. They come down to the fact that I still think (and can't help but read and write) in linear terms, but I find myself living in infinity loops. Too much happens each day, it happens all at once, and yet, in some ways, nothing happens at all. A day that's spent processing electronic signals like a sort of lonely arctic radar station (my day, your day, a lot of ours) is hard to dramatize.&lt;/blockquote&gt;&lt;br /&gt;Gary Shteyngart&lt;blockquote&gt;We are approaching a time when the Internet and ancillary services will assume the totality of human communications in the developed world. Even such time-honored practices as getting a love interest trashed at a bar and then coaxing him or her across the parking lot to a warm Volvo have been replaced by a barrage of keystrokes, misspelled two-sentence entreaties, and, by the end of the night, a parade of bent, swollen thumbs. Our imaginations are not immune, either. I've had vivid dreams that consist solely of the words, "We are sorry there has been a temporary error accessing your Yahoo account," floating in black, lifeless space before me. I shouldn't even use the personal pronoun "me," because in those dreams I am not a corporeal creature. There is nothing Gary-like about me. There is only the Yahoo! commandment, apologetic yet all-powerful, and the strange background feeling that even my dream-life has somehow been wasted.&lt;/blockquote&gt;That's just disconnected extracts from their exchange. &lt;a href="http://www.slate.com/id/2151004/entry/2151016/"&gt;Get thee hence&lt;/a&gt;. [Link via our pal Ingrid Srinath of &lt;a href="http://www.cry.org/"&gt;CRY&lt;/a&gt;.]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116346291116181289?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116346291116181289/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116346291116181289' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116346291116181289'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116346291116181289'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/11/novel-20-what-is-role-of-fiction-in.html' title='The Novel, 2.0  - What is the role of fiction in the age of the Internet?'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116334995076297444</id><published>2006-11-12T16:42:00.000Z</published><updated>2006-11-12T16:45:50.770Z</updated><title type='text'>Once upon a star..</title><content type='html'>The results of the TheScian Scifi Short Story contest are now &lt;a href="http://scienceblogs.com/thescian/2006/11/thescian_scifi_story_contest_2.php"&gt;officially out on their blog&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;There's some good reading to be had via the page that links to &lt;a href="http://www.thescian.com/scifi/stories/"&gt;the 9 stories that made it to the top of the list&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Special huzzas to my buddies &lt;a href="http://steelpetunias.blogspot.com/"&gt;Rohinton Daruvala&lt;/a&gt;, who placed second with &lt;i&gt;&lt;a href="http://www.thescian.com/scifi/stories/ToSleepPerchanceToDream.html"&gt;To Sleep, Perchance To Dream&lt;/a&gt;&lt;/i&gt;, and &lt;a href="http://manishalakhe.blogspot.com/"&gt;Manisha Lakhe&lt;/a&gt;, whose &lt;i&gt;&lt;a href="http://www.thescian.com/scifi/stories/HappyHappyJoyJoy.html"&gt;Happy Happy Joy Joy&lt;/a&gt;&lt;/i&gt; placed sixth.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;a href="http://zigzackly.blogspot.com/2006/11/once-upon-star.html"&gt;(Cross-posted&amp;mdash;a longer version.)&lt;/a&gt;&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116334995076297444?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116334995076297444/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116334995076297444' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116334995076297444'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116334995076297444'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/11/once-upon-star.html' title='Once upon a star..'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116314024539458731</id><published>2006-11-10T06:23:00.000Z</published><updated>2006-11-10T06:30:45.403Z</updated><title type='text'>The Buck stops here</title><content type='html'>&lt;span style="font-style: italic;"&gt;&lt;blockquote&gt;Senator Jeff Sessions (R-Alabama): “If every American back in 1950 had quit buying novels and invested money in high-yield bonds, today we would be looking at a savings surplus of several trillion dollars, and Social Security would not be in the mess it’s in. Instead, we know what happened—most of the money wound up in the pockets of one unscrupulous novelist, Pearl S. Buck, with the disastrous consequences of which we are too well aware. The fact that that woman never spent a day in jail is a disgrace to the history of our nation. I would ask every American, before you lavish your next paycheck on expensive novels you may not need, consider the other spending choices available. You could expand your cable service, visit a casino, make a political donation, give to a faith-based concern, or put the money in something the brokers call a flort. I think we all know a little bit better how our earnings should be spent than the average novel-writer does.” &lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Over at the New Yorker, Ian Frazier's &lt;a href="http://www.newyorker.com/shouts/content/articles/061113sh_shouts"&gt;hilarious take on the economic consequences of buying books&lt;/a&gt;. Don't miss Ben Bernanke's explanation of what a flort is.&lt;br /&gt;&lt;br /&gt;And while you're there, you might as well check out Rachel Cohen's &lt;a href="http://www.newyorker.com/critics/books/articles/061113crbo_books1"&gt;piece on Leonard Woolf&lt;/a&gt; which reminds us that Woolf's attempt was to come up with a work that&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;blockquote&gt;"would have the stature of the books Leonard Woolf’s friends had written. By 1931, Lytton Strachey had published “Eminent Victorians” and “Queen Victoria,” John Maynard Keynes “The Economic Consequences of the Peace,” Roger Fry “Vision and Design,” Edward Morgan Forster “Howards End” and (with Leonard Woolf’s years of careful encouragement) “A Passage to India,” and Virginia Woolf, for whom her husband was bulwark and first reader, seven novels, including “To the Lighthouse” and, in 1931, “The Waves,”"&lt;/blockquote&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;With friends like that, who needs competition.&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116314024539458731?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116314024539458731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116314024539458731' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116314024539458731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116314024539458731'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/11/buck-stops-here.html' title='The Buck stops here'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116310204700272751</id><published>2006-11-09T19:44:00.000Z</published><updated>2006-11-09T20:00:35.143Z</updated><title type='text'>A Poem On An Underground Train</title><content type='html'>An advertisement for a bookstore on the &lt;a href = "http://www.mta.nyc.ny.us/nyct/service/fline.htm"&gt;"F"&lt;/a&gt; train: &lt;br /&gt;&lt;br /&gt;Les sanglots longs&lt;br /&gt;Des violons&lt;br /&gt;De l'automne&lt;br /&gt;Blessent mon coeur&lt;br /&gt;D'une langueur&lt;br /&gt;Monotone.&lt;br /&gt;-- Paul Verlaine, first stanza from &lt;A href = "http://www.textetc.com/workshop/wt-verlaine-1.html"&gt;"Chanson d'Automne"&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116310204700272751?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116310204700272751/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116310204700272751' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116310204700272751'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116310204700272751'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/11/poem-on-underground-train.html' title='A Poem On An Underground Train'/><author><name>km</name><uri>http://www.blogger.com/profile/16040339235134145847</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116268184637515801</id><published>2006-11-04T23:07:00.000Z</published><updated>2006-11-04T23:10:46.383Z</updated><title type='text'>Take this job and..</title><content type='html'>Kiran Jonnalagadda on what it's like working in the new economy.&lt;blockquote&gt;Before you join, demand to be explained the business plan. If it doesn’t make sense, leave. They don’t know what they’re doing.&lt;br /&gt;&lt;br /&gt;If the company declares it confidential, leave. They don’t have a plan.&lt;br /&gt;&lt;br /&gt;If you tell them it doesn’t make sense and they tell you that you don’t understand and they know what they’re doing, leave. They’re pompous assholes.&lt;br /&gt;&lt;br /&gt;If they try to impress you by making you feel small and promising great heights if you associate with them, leave. They’re condescending assholes.&lt;br /&gt;&lt;br /&gt;If they tell you that your expected take is more than you deserve, leave. They have no respect for your abilities.&lt;br /&gt;&lt;br /&gt;If they offer you stock without giving you decision making responsibility, leave. The stock is worthless and you’ll be signing away the rights to your career.&lt;/blockquote&gt;&lt;a href="http://jace.seacrow.com/archive/2006/11/01/talent-shortage"&gt;Read on&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116268184637515801?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116268184637515801/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116268184637515801' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116268184637515801'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116268184637515801'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/11/take-this-job-and.html' title='Take this job and..'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116232466702299251</id><published>2006-10-31T19:30:00.000Z</published><updated>2006-10-31T19:57:47.506Z</updated><title type='text'>The Play Is The Thing</title><content type='html'>Step 1: You write the best goddamn &lt;a href = "http://www.bbc.co.uk/worldservice/specials/1521_int_play_comp/page5.shtml"&gt;play&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Step 2: You &lt;a href = "http://www.bbc.co.uk/worldservice/specials/1521_int_play_comp/page7.shtml"&gt;send&lt;/a&gt; it to the BBC&lt;br /&gt;&lt;br /&gt;Step 3: You win the &lt;a href = "http://www.bbc.co.uk/worldservice/specials/1521_int_play_comp"&gt;Contest&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Step 4: In an interview to the New Yorker, you say, "I would like to thank my mother, God and my trusted laptop. But mainly, I want to thank &lt;a href = "http://blogolepsy.blogspot.com"&gt;Blogolepsy&lt;/a&gt;. I thank them with all my heart."&lt;br /&gt;&lt;br /&gt;Step 5: You send us half the &lt;a href ="http://www.bbc.co.uk/worldservice/specials/1521_int_play_comp/page2.shtml"&gt;prize money&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116232466702299251?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116232466702299251/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116232466702299251' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116232466702299251'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116232466702299251'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/10/play-is-thing.html' title='The Play Is The Thing'/><author><name>km</name><uri>http://www.blogger.com/profile/16040339235134145847</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116192333153439417</id><published>2006-10-27T04:25:00.000Z</published><updated>2006-10-27T04:28:51.543Z</updated><title type='text'>Suddenly</title><content type='html'>A quick follow up to the &lt;a href="http://blogolepsy.blogspot.com/2006/10/easy-on-hooptedoodle.html"&gt;Elmore Leonard essay&lt;/a&gt;. You know that bit about not using 'suddenly'? &lt;a href="https://www.theparisreview.org/viewmedia.php/prmMID/5646"&gt;Here&lt;/a&gt;, courtesy of &lt;a href="https://www.theparisreview.org/viewissue.php/prmIID/178"&gt;the Paris Review&lt;/a&gt;, is a striking demonstration of just what that's so important by the ever delightful Billy Collins.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116192333153439417?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116192333153439417/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116192333153439417' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116192333153439417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116192333153439417'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/10/suddenly.html' title='Suddenly'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116188142533993805</id><published>2006-10-26T15:34:00.000Z</published><updated>2006-10-26T16:50:25.403Z</updated><title type='text'>The Future, In Just Six Words</title><content type='html'>Never got past the first page of first book in the &lt;a href = "http://en.wikipedia.org/wiki/The_Foundation_Series"&gt;Foundation&lt;/a&gt; series? Then you will love Six-word &lt;a href = "http://wired.com/wired/archive/14.11/sixwords.html"&gt;Sci-Fi&lt;/a&gt; that appears on Wired. &lt;br /&gt;&lt;br /&gt;Some excerpts: &lt;br /&gt;&lt;br /&gt;We kissed. She melted. Mop please!&lt;br /&gt;- James Patrick Kelly&lt;br /&gt;&lt;br /&gt;Lie detector eyeglasses perfected: Civilization collapses.&lt;br /&gt;- Richard Powers&lt;br /&gt;&lt;br /&gt;(Via &lt;a href = "http://www.boingboing.net"&gt;BoingBoing&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Feel free to pen your petite SF masterpiece in the commentspace. (Story-lines involving an evil computer that runs on Windows Vista will be automatically disqualified.)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116188142533993805?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116188142533993805/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116188142533993805' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116188142533993805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116188142533993805'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/10/future-in-just-six-words.html' title='The Future, In Just Six Words'/><author><name>km</name><uri>http://www.blogger.com/profile/16040339235134145847</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116152845268966009</id><published>2006-10-22T14:34:00.000Z</published><updated>2006-10-22T14:47:32.700Z</updated><title type='text'>Well, That Explains Everything</title><content type='html'>The Dark Knight, &lt;a href = "http://www.pvponline.com/images/batman"&gt;deconstructed&lt;/a&gt; - in a hand-drawn comic strip, not a dull, 3-hour, $200 million flick.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116152845268966009?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116152845268966009/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116152845268966009' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116152845268966009'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116152845268966009'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/10/well-that-explains-everything.html' title='Well, That Explains Everything'/><author><name>km</name><uri>http://www.blogger.com/profile/16040339235134145847</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116140438436562235</id><published>2006-10-21T04:15:00.000Z</published><updated>2006-10-21T04:22:20.280Z</updated><title type='text'>Easy on the Hooptedoodle</title><content type='html'>&lt;blockquote&gt;These are rules I've picked up along the way to help me remain&lt;br /&gt;invisible when I'm writing a book, to help me show rather than tell&lt;br /&gt;what's taking place in the story. If you have a facility for language&lt;br /&gt;and imagery and the sound of your voice pleases you, invisibility is&lt;br /&gt;not what you are after, and you can skip the rules. Still, you might&lt;br /&gt;look them over.&lt;/blockquote&gt;From an old favourite &lt;a href="http://www.nytimes.com/2001/07/16/books/16LEON.html"&gt;Elmore Leonard essay&lt;/a&gt;, a part of the NYT's &lt;a href="http://www.nytimes.com/books/specials/writers.html"&gt;Writers on Writing&lt;/a&gt; series. Subscription required, I'm afraid.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116140438436562235?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116140438436562235/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116140438436562235' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116140438436562235'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116140438436562235'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/10/easy-on-hooptedoodle.html' title='Easy on the Hooptedoodle'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-116132066670128339</id><published>2006-10-20T04:59:00.000Z</published><updated>2006-10-20T05:04:26.710Z</updated><title type='text'>How do they kill thee? Let me count the ways</title><content type='html'>From the &lt;a href="http://www.pshares.org/issues/issues.cfm?intissueid=119"&gt;Spring 2006 Issue of Ploughshares&lt;/a&gt;, this fascinating catalogue of &lt;a href="http://www.pshares.org/issues/article.cfm?prmarticleID=8412"&gt;Rock Deaths by Jeff Fallis. &lt;/a&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Look carefully, and you might just see a pattern.&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-116132066670128339?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/116132066670128339/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=116132066670128339' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116132066670128339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/116132066670128339'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/10/how-do-they-kill-thee-let-me-count.html' title='How do they kill thee? Let me count the ways'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-115851043941408790</id><published>2006-09-17T12:30:00.000Z</published><updated>2006-09-17T16:27:19.423Z</updated><title type='text'>Thus Spake Woody</title><content type='html'>&lt;blockquote&gt;Schopenhauer railed against the aimless nibbling of peanuts and potato chips while one engaged in other activities. Once munching has begun, Schopenhauer held, the human will cannot resist further munching, and the result is a universe with crumbs over everything.&lt;/blockquote&gt;Classic, classic Woody Allen riffing wildly on all his favorite topics. It doesn't get much better than &lt;a href = "http://www.newyorker.com/shouts/content/articles/060703sh_shouts"&gt;this&lt;/a&gt;. (Link to New Yorker)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-115851043941408790?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/115851043941408790/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=115851043941408790' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115851043941408790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115851043941408790'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/09/thus-spake-woody.html' title='Thus Spake Woody'/><author><name>km</name><uri>http://www.blogger.com/profile/16040339235134145847</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-115713135307911787</id><published>2006-09-01T17:15:00.000Z</published><updated>2006-09-01T17:22:33.106Z</updated><title type='text'>Who said New Yorker's were mostly harmless?</title><content type='html'>From the New Yorker online only &lt;a href="http://www.newyorker.com/online/harddrive/"&gt;Hard Drive&lt;/a&gt; - New Yorker Cartoon Editor Bob Mankoff does a &lt;a href="http://www.cartoonbank.com/newyorker/slideshows/051128onco_mankoff.html"&gt;retrospective of New Yorker cartoons featuring aliens&lt;/a&gt; (as in people from Other Planets. Like Alabama, for instance). Good stuff. It's always amusing to see what you earthlin...errr...other people make of folks from outer space.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-115713135307911787?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/115713135307911787/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=115713135307911787' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115713135307911787'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115713135307911787'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/09/who-said-new-yorkers-were-mostly.html' title='Who said New Yorker&apos;s were mostly harmless?'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-115688176665991490</id><published>2006-08-29T19:40:00.000Z</published><updated>2006-08-29T20:02:46.686Z</updated><title type='text'>Kid Dynamite</title><content type='html'>&lt;blockquote&gt;"Hannibal was very courageous,” Tyson said. "He rode elephants through Cartilage."&lt;/blockquote&gt; David Remnick's boxer-as-a-freakshow &lt;a href = "www.members.shaw.ca/kkylee/kid_dynamite.pdf"&gt;profile&lt;/a&gt; of Mike "Kid Dynamite" Tyson from 1997 is still very, very funny. (&lt;b&gt;Link opens a PDF.&lt;/b&gt;)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-115688176665991490?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/115688176665991490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=115688176665991490' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115688176665991490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115688176665991490'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/08/kid-dynamite.html' title='Kid Dynamite'/><author><name>km</name><uri>http://www.blogger.com/profile/16040339235134145847</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-115683109618968471</id><published>2006-08-29T05:33:00.000Z</published><updated>2006-08-29T05:59:28.286Z</updated><title type='text'>Jason Shiga</title><content type='html'>Imagine that you regain consciousness and find you're in a phone booth completely encased in concrete. Imagine that all you have with you are the contents of your pockets and a few mysterious documents. Imagine that you have only 48 hours to live, unless you can find a way out.&lt;br /&gt;Or better yet, don't bother imagining it. Just read (if you haven't already) Jason Shiga's amazing &lt;a href="http://www.aaronsw.com/2002/fleep/"&gt;Fleep&lt;/a&gt;. And while you're there, check out Shiga's other work - including the marvellous &lt;a href="http://www.shigabooks.com/"&gt;Bus Stop&lt;/a&gt;. Easily some of my favourite web comics.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-115683109618968471?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/115683109618968471/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=115683109618968471' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115683109618968471'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115683109618968471'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/08/jason-shiga.html' title='Jason Shiga'/><author><name>Falstaff</name><uri>http://www.blogger.com/profile/09791162324919462038</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_2MyR7xSB5fs/SlN8J3txo9I/AAAAAAAAAXs/HS7JydKNaJY/s1600-R/s2-picassoblueguitar-2.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-115681884292456334</id><published>2006-08-29T02:29:00.000Z</published><updated>2006-08-29T02:34:02.936Z</updated><title type='text'>The Decline of the Book Review</title><content type='html'>&lt;blockquote&gt; In India, the decline of the book review is especially frustrating because it's happened just as the publishing industry has started providing more — more books, selling in more numbers, covering more subjects, more professional translations, more new writers. I can only assume that the bright boys who run newspaper marketing departments read nothing these days, not even publishing industry reports.&lt;br /&gt;&lt;br /&gt;But 10 years ago, the physical space for the book review began to shrink, and it continues to suffer from anorexia. The intellectual space for any sort of engaged discussion on the living culture around us shrank in tandem, as the review went down from 1,500 words — such profligate largesse, I think now — to 1,000, then 600, then 400.&lt;/blockquote&gt;&lt;a href="http://akhondofswat.blogspot.com/"&gt;Nilanjana S Roy&lt;/a&gt;, friend and lit critic (and, in another avataar, one of our earlier &lt;a href="http://kitabkhana.blogspot.com/"&gt;litbloggers&lt;/a&gt;), on &lt;a href="http://www.hindu.com/mag/2006/08/27/stories/2006082700380100.htm"&gt;&lt;i&gt;The Decline of the Book Review&lt;/i&gt; in the Hindu&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-115681884292456334?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/115681884292456334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=115681884292456334' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115681884292456334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115681884292456334'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/08/decline-of-book-review.html' title='The Decline of the Book Review'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-115677734911863503</id><published>2006-08-28T14:51:00.000Z</published><updated>2006-08-28T15:15:10.173Z</updated><title type='text'>Federer as a religious experience</title><content type='html'>David Foster Wallace in the New York Times on &lt;i&gt;&lt;a href="http://www.nytimes.com/2006/08/20/sports/playmagazine/20federer.html?amp;amp;ex=1313726400&amp;ei=5090&amp;en=716968175e36505e&amp;adxnnl=0&amp;partner=rssuserland&amp;amp;pagewanted=all&amp;emc=rss&amp;adxnnlx=1156222904-7LaG+T5bsci9mUOJfRR87w&amp;pagewanted=all"&gt;Federer as a religious experience&lt;/a&gt;&lt;/i&gt;. &lt;br /&gt;&lt;br /&gt;Quite the best tennis writing I've ever read. Like all the really great sports writing, it's about more than just the sport. Even the &lt;a href="http://www.nytimes.com/2006/08/20/sports/playmagazine/20federer-footnotes.html?_r=1&amp;oref=slogin&amp;fta=y&amp;pagewanted=all"&gt;footnotes&lt;/a&gt; read better than most reports. An excerpt:&lt;blockquote&gt;There are wonderful things about having a body, too, obviously — it's just that these things are much harder to feel and appreciate in real time. Rather like certain kinds of rare, peak-type sensuous epiphanies ("I'm so glad I have eyes to see this sunrise!" etc.), great athletes seem to catalyze our awareness of how glorious it is to touch and perceive, move through space, interact with matter. Granted, what great athletes can do with their bodies are things that the rest of us can only dream of. But these dreams are important — they make up for a lot.&lt;/blockquote&gt;And from the main piece:&lt;blockquote&gt;It's the finals of the 2005 U.S. Open, Federer serving to Andre Agassi early in the fourth set. There's a medium-long exchange of groundstrokes, one with the distinctive butterfly shape of today's power-baseline game, Federer and Agassi yanking each other from side to side, each trying to set up the baseline winner...until suddenly Agassi hits a hard heavy cross-court backhand that pulls Federer way out wide to his ad (=left) side, and Federer gets to it but slices the stretch backhand short, a couple feet past the service line, which of course is the sort of thing Agassi dines out on, and as Federer's scrambling to reverse and get back to center, Agassi's moving in to take the short ball on the rise, and he smacks it hard right back into the same ad corner, trying to wrong-foot Federer, which in fact he does — Federer's still near the corner but running toward the centerline, and the ball's heading to a point behind him now, where he just was, and there's no time to turn his body around, and Agassi's following the shot in to the net at an angle from the backhand side...and what Federer now does is somehow instantly reverse thrust and sort of skip backward three or four steps, impossibly fast, to hit a forehand out of his backhand corner, all his weight moving backward, and the forehand is a topspin screamer down the line past Agassi at net, who lunges for it but the ball's past him, and it flies straight down the sideline and lands exactly in the deuce corner of Agassi's side, a winner — Federer's still dancing backward as it lands. And there's that familiar little second of shocked silence from the New York crowd before it erupts, and John McEnroe with his color man's headset on TV says (mostly to himself, it sounds like), "How do you hit a winner from that position?" And he's right: given Agassi's position and world-class quickness, Federer had to send that ball down a two-inch pipe of space in order to pass him, which he did, moving backwards, with no setup time and none of his weight behind the shot. It was impossible. It was like something out of "The Matrix." I don't know what-all sounds were involved, but my spouse says she hurried in and there was popcorn all over the couch and I was down on one knee and my eyeballs looked like novelty-shop eyeballs.&lt;/blockquote&gt;Warning for the ADS-afflicted: it's a long piece.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-115677734911863503?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/115677734911863503/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=115677734911863503' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115677734911863503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115677734911863503'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/08/federer-as-religious-experience.html' title='Federer as a religious experience'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33437283.post-115670375955825276</id><published>2006-08-27T18:30:00.000Z</published><updated>2006-08-27T23:03:02.103Z</updated><title type='text'>Reasons</title><content type='html'>This is not about displaying our own writing. (Though, truth be told, we work hard at stringing words together. And, now and then, we admit to being pleased with the results.)&lt;br /&gt;&lt;br /&gt;This blog will search for and promote excellent creative writing on the web, with a wee bias towards  the blogosphere.&lt;br /&gt;&lt;br /&gt;What we'll link to: poetry, fiction, graphic stories and comics, great criticism, hyperfiction, lyrics, interactive narratives. Occassionally, we may link to essays, rants and opinion pieces unconnected with writing, but only if we think they're extraordinarily good. We'll also point to opportunities for writers, as and when we hear of them.&lt;br /&gt;&lt;br /&gt;Tip-offs welcome. Leave a comment, or mail us.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33437283-115670375955825276?l=blogolepsy.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://blogolepsy.blogspot.com/feeds/115670375955825276/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33437283&amp;postID=115670375955825276' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115670375955825276'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33437283/posts/default/115670375955825276'/><link rel='alternate' type='text/html' href='http://blogolepsy.blogspot.com/2006/08/reasons.html' title='Reasons'/><author><name>zigzackly</name><uri>http://www.blogger.com/profile/16061386367303982262</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://img.photobucket.com/albums/v30/zigzackly/self/aGriffin_t.gif'/></author><thr:total>1</thr:total></entry></feed>
